跟你老婆去旅行 — 高清完整版小鴨2021~HD/TW
跟你老婆去旅行 完整版, 跟你老婆去旅行 线上, 跟你老婆去旅行 下载, 跟你老婆去旅行A Trip With Your Wife 电影完整版, 跟你老婆去旅行 小说完整版, 跟你老婆去旅行 上映时间完整版, 跟你老婆去旅行 预告完整版, 跟你老婆去旅行 下载完整版, 跟你老婆去旅行 完整版, 跟你老婆去旅行 在线完整版, 跟你老婆去旅行A Trip With Your Wife (2021) 完整版,A Trip With Your Wife 跟你老婆去旅行 完整版
給你一千萬，你老婆跟我(出去)玩！公路浪漫喜劇。鳳小岳、陳妍希、張書豪組成浪漫搭檔。每個人都要有一生一次的壯遊，特別是帶你老婆去旅行，你忘記帶，小心別的男人幫你帶(戴)。
片長：94分 上映日期：2021/02/10
◉跟你老婆去旅行 2021🎬 高清線上看完整版 ☛ https://t.co/hnoYuYBTdh?a-trip-with-your-wife
跟你老婆去旅行
A Trip With Your Wife
上映日期：2021–02–10
片 長：01時34分
發行公司：傳影互動ifilm
導演：
林孝謙
演員：
陳妍希(Michelle Chen) 、 張書豪 、 鳳小岳(Rhydian Vaughan) 、 禾浩辰（布魯斯）
看菜英文沒在怕線上小鴨免费
給你一千萬，你老婆跟我(出去)玩！公路浪漫喜劇。鳳小岳、陳妍希、張書豪組成浪漫搭檔。每個人都要有一生一次的壯遊，特別是帶你老婆去旅行，你忘記帶，小心別的男人幫你帶(戴)。
电影简介 菜英文沒在怕
原本想拯救愛情，沒想到卻是出了差錯的旅行！？
由《比悲傷更悲傷的故事》監製莊淳淳聯手導演林孝謙、編劇呂安弦合作，期望能讓觀眾笑到噴淚。
每個人都要有一生一次的壯遊，特別是帶你老婆去旅行，你忘記帶，小心別的男人幫你帶(戴)。
阿誠（張書豪飾演）與阿智（鳳小岳飾演）在大學時代既是室友、又是麻吉，某次社團表演，阿誠對吉他社的漂亮女生小雅（陳妍希飾演）一見傾心，阿智基於好友情誼發誓要幫阿誠追到小雅，但當阿誠如願與小雅在一起之後，阿智卻消失了…
大學畢業後，阿誠順理成章與小雅結婚，展開創業的日子。幾年後阿誠的公司缺乏資金面臨倒閉危機，他四處籌錢、甚至想賣掉小雅努力經營的蛋糕店，兩人吵到不可開交，關係瀕臨冰點。沒想到這時候阿智出現在兩人面前，他願意提供阿誠需要的資金一千萬，代價是：小雅單獨陪他去旅行！這荒謬的要求阿誠竟然動了心！
小雅見阿誠如此不在乎她，心灰意冷地跟著阿智出國旅行。阿智是否真的對小雅別有用心？阿誠要如何追回小雅？三人間的感情糾葛到底怎麼回事？
跟你老婆去旅行 線上看
跟你老婆去旅行
跟你老婆去旅行線上看
跟你老婆去旅行小鴨
跟你老婆去旅行完整版
跟你老婆去旅行數位版
跟你老婆去旅行線上看高清
跟你老婆去旅行 台灣
跟你老婆去旅行分級
跟你老婆去旅行什麼時候上映
跟你老婆去旅行王識賢
跟你老婆去旅行級別
跟你老婆去旅行上映
跟你老婆去旅行預告
跟你老婆去旅行線上看完整版小鴨
跟你老婆去旅行 澳門上映
跟你老婆去旅行 2021上映,
跟你老婆去旅行 HD線上看
跟你老婆去旅行 線上看小鴨
跟你老婆去旅行 电影完整版
跟你老婆去旅行 線上看下載
跟你老婆去旅行 2021 下載
跟你老婆去旅行 線上看完整版
跟你老婆去旅行 線上看完整版小鴨
跟你老婆去旅行 (2021)完整版本
跟你老婆去旅行 |1080P|完整版本
跟你老婆去旅行 線上看(2021)完整版
跟你老婆去旅行 線上看(2021)完整版
《跟你老婆去旅行 》 線上看電影臺灣
跟你老婆去旅行 (電影)2021 線上看 年再次觀看電影
跟你老婆去旅行 線上看|2021上映|完整版小鴨|線上看小鴨|
跟你老婆去旅行 2021上映
跟你老婆去旅行 HD線上看
跟你老婆去旅行 線上看小鴨
跟你老婆去旅行 电影完整版
跟你老婆去旅行 線上看下載
跟你老婆去旅行 2021 下載
跟你老婆去旅行 線上看完整版
跟你老婆去旅行 線上看完整版小鴨
跟你老婆去旅行 (2021)完整版本
跟你老婆去旅行 |1080P|完整版本
跟你老婆去旅行 線上看(2021)完整版
跟你老婆去旅行 線上看(2021)完整版
《跟你老婆去旅行 》 線上看電影臺灣
跟你老婆去旅行 (電影)2021 線上看 年再次觀看電影
跟你老婆去旅行 線上看|2021上映|完整版小鴨|線上看小鴨|
跟你老婆去旅行 粵語線上看 跟你老婆去旅行 (2021) 跟你老婆去旅行 小鴨
跟你老婆去旅行 2021上映
跟你老婆去旅行 HD線上看
跟你老婆去旅行 線上看小鴨
跟你老婆去旅行 电影完整版
跟你老婆去旅行 線上看下載
跟你老婆去旅行 2021 下載
跟你老婆去旅行 線上看完整版
跟你老婆去旅行 線上看完整版小鴨
跟你老婆去旅行 (2021)完整版本
跟你老婆去旅行 |1080P|完整版本
跟你老婆去旅行 線上看(2021)完整版
跟你老婆去旅行 線上看(2021)完整版
《跟你老婆去旅行 》 線上看電影臺灣
跟你老婆去旅行 (電影)2021 線上看 年再次觀看電影
跟你老婆去旅行 線上看|2021上映|完整版小鴨|線上看小鴨|
跟你老婆去旅行 粵語線上看 跟你老婆去旅行 (2021) 跟你老婆去旅行 小鴨
跟你老婆去旅行 台灣 — 跟你老婆去旅行 线上看
跟你老婆去旅行 上映 HD1080p跟你老婆去旅行 ptt
跟你老婆去旅行 ptt play 跟你老婆去旅行 完结篇
跟你老婆去旅行 新加坡 |跟你老婆去旅行 bd
跟你老婆去旅行 完结篇 跟你老婆去旅行
跟你老婆去旅行 dvd 跟你老婆去旅行 粵語 在線
跟你老婆去旅行 跟你老婆去旅行 HK
跟你老婆去旅行 马来西亚
跟你老婆去旅行 香港
跟你老婆去旅行 full movie
跟你老婆去旅行 线上看
跟你老婆去旅行 上映
跟你老婆去旅行 分级
跟你老婆去旅行 download
跟你老婆去旅行 電影
跟你老婆去旅行 延期
跟你老婆去旅行 百度
跟你老婆去旅行 威秀
跟你老婆去旅行 高清
跟你老婆去旅行 北美上映
跟你老婆去旅行 奇摩
跟你老婆去旅行 完整版本
跟你老婆去旅行 叶伟信
跟你老婆去旅行 malaysia
跟你老婆去旅行 momovod
跟你老婆去旅行 online
跟你老婆去旅行 女主角
跟你老婆去旅行 ptt
跟你老婆去旅行 ptt.cc
李宛妲 跟你老婆去旅行
跟你老婆去旅行 singapore
跟你老婆去旅行 新闻
跟你老婆去旅行 小鸭
跟你老婆去旅行 线上看 小鸭
小鸭影音 跟你老婆去旅行
三立新闻 跟你老婆去旅行
跟你老婆去旅行 tgv
跟你老婆去旅行 台湾上映
跟你老婆去旅行 台湾
跟你老婆去旅行 台湾上映时间
跟你老婆去旅行 海报
跟你老婆去旅行 lihkg
youtube 跟你老婆去旅行
跟你老婆去旅行 上映日期
跟你老婆去旅行 女演员
跟你老婆去旅行 2021
跟你老婆去旅行 2021磅礡完结
跟你老婆去旅行 小鴨
跟你老婆去旅行 完整版
跟你老婆去旅行 完结篇
跟你老婆去旅行 完結篇
跟你老婆去旅行 下載
跟你老婆去旅行 粵語線上看
跟你老婆去旅行 完整版
跟你老婆去旅行 豆瓣
跟你老婆去旅行 馬來西亞
跟你老婆去旅行 百度
跟你老婆去旅行 迅雷
跟你老婆去旅行 下載
跟你老婆去旅行 粵語
跟你老婆去旅行 澳洲
跟你老婆去旅行 北美
跟你老婆去旅行 微博
跟你老婆去旅行 分級
跟你老婆去旅行 彩蛋
跟你老婆去旅行 延期
跟你老婆去旅行 劇情
跟你老婆去旅行 好看吗
跟你老婆去旅行 海报
跟你老婆去旅行 何時上映
跟你老婆去旅行 香港
跟你老婆去旅行 葉偉信
跟你老婆去旅行
跟你老婆去旅行 完結篇 跟你老婆去旅行
跟你老婆去旅行 威秀
跟你老婆去旅行 幾時上映
跟你老婆去旅行 几时上映马来西亚
跟你老婆去旅行 加拿大
跟你老婆去旅行 几时上映新加坡
跟你老婆去旅行 幾時上映
跟你老婆去旅行 公開
跟你老婆去旅行 完結篇 線上看
跟你老婆去旅行 開眼
跟你老婆去旅行 奇摩
跟你老婆去旅行 級別
跟你老婆去旅行 李宛妲
跟你老婆去旅行 李小龍
跟你老婆去旅行 墨尔本
跟你老婆去旅行 movie
跟你老婆去旅行 momovod
跟你老婆去旅行 online
跟你老婆去旅行 票房
跟你老婆去旅行 评价
跟你老婆去旅行 评分
跟你老婆去旅行 票房
跟你老婆去旅行 ptt
跟你老婆去旅行 ptt.cc
跟你老婆去旅行 首映
跟你老婆去旅行 台灣
跟你老婆去旅行 trailer
跟你老婆去旅行 陳國坤
跟你老婆去旅行 台灣上映
跟你老婆去旅行 張天志
跟你老婆去旅行 上映 台灣
跟你老婆去旅行 vanda
跟你老婆去旅行 线上看
跟你老婆去旅行 預售票
跟你老婆去旅行 粵語線上
跟你老婆去旅行 在线
跟你老婆去旅行 粵語 在線
跟你老婆去旅行 時間
跟你老婆去旅行 2021
跟你老婆去旅行 2021磅礡完結
In 1889, on November 1 in Gotha, Germany Anna Therese Johanne Hoch, who later would be known as Hannah Hoch was born. Being the eldest of five children, the girl was brought up in a comfortable and quiet environment of the small town. Her parents, a supervisor in an insurance company and an amateur painter sent her to Girl’s High school. However, at the age of 15 Hannah had to quit studying for the long six years to take care of her newborn sister. Only in 1912 she continued her education with Harold Bengen in School of Applied Arts, mastering glass design. As the World War I broke up Hannah returned to the native town to work in the Red Cross.
The first years after war the young woman recommenced her studying, getting to know graphic arts. 1915 was highlighted by an acquaintance with an Austrian artist Raoul Hausmann, which grew into the long-lasting romantic relationship and involvement in Berlin Dada movement. For ten years till 1926 Hoch worked in Berlin’s major publisher of newspapers and magazines. Her task was to design embroidering, knitting and crocheting patterns for the booklets.
Being on vacation with her beloved in 1918, Hannah discovered ‘the principle of photomontage in cut-and-paste images that soldiers sent to their families’ (National gallery of Art). This find affected greatly on her artistic production, and she created mass-media photographs comprising the elements of photomontage and handwork patterns, thus combining traditional and modern culture. Her prior preoccupation was to represent the ‘new woman’ of the Weimar Republic with new social role and given freedoms.
Hoch was the only woman in Berlin Dada, who took part in all kinds of events and exhibitions showcasing her socially critical works of art. Till 1931 she participated in exhibitions but with the rise of National Social regime was forbidden to present her creative work. Till her last breath in 1978 Hannah Hoch lived and worked in the outskirts of Berlin-Heiligensee.
The piece of art which is going to be analyzed in this research is ‘The beautiful girl’ designed in 1919–1920. It combines the elements of technology and females. In the middle of the picture one can clearly see a woman dressed in a modern bathing suit with a light bulb on her head which probably serves as a sun umbrella. In the background a large advertisement with a woman’s hair-do on top is presented. Maud Lavin describes strange human as ‘she is part human, part machine, part commodity’ (Lavin). The woman is surrounded by the images of industrialization as tires, gears, signals and BMW logos. A woman’s profile with the cat eyes, untrusting and skeptical, in the upper right corner is eye-catching as well. This unusually large eye symbolizes DADA movement — a monocle, which is present in almost every Hoch’s work. The colour scheme does not offer rich palette of tints, including mostly black, white, orange and red pieces. The photo is surrounded by the BMW circles which add the spots of blue.
An apt description of the piece is given in the book ‘Cut with the Kitchen Knife’ and states that it is ‘a portrait of a modern woman defined by signs of femininity, technology, media and advertising’ (Lavin). In other words Hannah Hoch focused on the woman of the new age, free and keeping up with the fast-moving world. The artist promoted feministic ideas and from her point of view urbanization and modern technologies were meant to give hope to woman to gain equality of genders. With this photomontage she commented on how the woman was expected to combine the role of a wife and mother with the role of a worker in the industrialized world. The light bulb instead of a face shows that women were perceived as unthinking machines which do not question their position and can be turned on or off at any time at man’s will. But at the same time they were to remain attractive to satisfy men’s needs. The watch is viewed as the representation of how quickly women are to adapt to the changes.
In a nutshell, Hoch concentrated on two opposite visions of the modern woman: the one from the television screens — smoking, working, wearing sexy clothes, voting and the real one who remained being a housewife.
The beautiful girl’ is an example of the art within the DADA movement. An artistic and literal current began in 1916 as the reaction to World War I and spread throughout Northern America and Europe. Every single convention was challenged and bourgeois society was scandalized. The Dadaists stated that over-valuing conformity, classism and nationalism among modern cultures led to horrors of the World War I. In other words, they rejected logic and reason and turned to irrationality, chaos and nonsense. The first DADA international Fair was organized in Berlin in 1920 exposing a shocking discontentment with military and German nationalism (Dada. A five minute history).
Hannah Hoch was introduced to the world of DADA by Raoul Hausman who together with Kurt Schwitters, Piet Mondrian and Hans Richter was one of the influential artists in the movement. Hoch became the only German woman who referred to DADA. She managed to follow the general Dadaist aesthetic, but at the same time she surely and steadily incorporated a feminist philosophy. Her aim was to submit female equality within the canvass of other DADA’s conceptions.
Though Hannah Hoch officially was a member of the movement, she never became the true one, because men saw her only as ‘a charming and gifted amateur artist’ (Lavin). Hans Richter, an unofficial spokesperson shared his opinion about the only woman in their community in the following words: ‘the girl who produced sandwiches, beer and coffee on a limited budget’ forgetting that she was among the few members with stable income.
In spite of the gender oppressions, Hannah’s desire to convey her idea was never weakened. Difficulties only strengthened her and made her an outstanding artist. A note with these return words was found among her possessions: ‘None of these men were satisfied with just an ordinary woman. But neither were they included to abandon the (conventional) male/masculine morality toward the woman. Enlightened by Freud, in protest against the older generation. . . they all desired this ‘New Woman’ and her groundbreaking will to freedom. But — they more or less brutally rejected the notion that they, too, had to adopt new attitudes. . . This led to these truly Strinbergian dramas that typified the private lives of these men’ (Maloney).
Hoch’s technique was characterized by fusing male and female parts of the body or bodies of females from different epochs — a ‘traditional’ woman and ‘modern’, liberated and free of sexual stereotypes one. What’s more, combining male and female parts, the female ones were always more distinctive and vibrant, while the male ones took their place in the background. Hannah created unique works of art experimenting with paintings, collages, graphic and photography. Her women were made from bits and pieces from dolls, mannequins of brides or children as these members of the society were not considered as valuable.
Today Hannah Hoch is most associated with her famous photomontage ‘Cut with the kitchen knife DADA through the last Weimer Beer-Belly Cultural epoch of Germany’ (1919–1920). This piece of art highlights social confusion during the era of Weimar Republic, oppositionists and government radicals (Grabner). In spite of never being truly accepted by the rest of her society, this woman with a quiet voice managed to speak out loud her feministic message.
Looking at Hannah Hoch’s art for the first time I found it confusing, because couldn’t comprehend the meaning. It was quite obvious that every single piece and structure is a symbol of the era, its ideas and beliefs. However, after having learned about her life and constant endeavors to declare about female’s right, little by little I started to realize what’s what. As an object for research I chose ‘The beautiful girl’ as, to my mind, its theme and message intersects with the modern tendency: a successful, clever, beautiful and free woman has to become one in no time, cause the world is moving faster and faster. I enjoyed working with this artist as her example is inspiring and is worth following.
Written by
